Directory E

Arthur Eckerlein

Lindau, Bavaria, Germany.

Aufnahme u. Verlag: Arthur Eckerlein, Hofphotograph, Lindau.

Arthur Eckerlein, Royal Court photographer and publisher, Paradiesplatz, Lindau where his telephone number was 134 and then 334. Lindau is a major town and island on the eastern side of Lake Constance/Bodensee. Eckerlein published studio portraits as cabinet cards. His cartes de visites boasted of success in European competitions in 1895 to 1899 and the warrant of Prince Ludwig of Bavaria. In 1916 Eckerlein’s studio was at Zwanzigerstrasse and the studio was still going in 1929.

Eckstein & Stähle,

Stuttgart, Germany

ECKSTEIN & STÄHLE STUTTGART, LITH

Card of the work of Munich artist Otto Strutzel

Eckstein & Stähle, printers, founded in Stuttgart in 1852 by Adolf Eckstein and Karl Staele. Early cards featured the art work of Otto Strutzel. In 1902, they were described as Königliche Hofkunstanstalt^¹ when they printed a book of fine lithographed botanical images which was published by Lutz of Stuttgart. In 1903 they were members of the Commercial Political Association of the German Art Print Industry^². Eckstein & Staehle moved into the former Bachner brewery at 70/1 Augustenstraße in the 1920s. The company stored their printing blocks, made of Sollnhofer slate, in the basement^³. Eckstein & Staehle GmbH & Co. KG still seem to be engaged in the production of art prints, artistically valuable maps, globes, as a limited partnership.

Wilhelm Ehlert

Storkow in der Mark, Brandenburg, Germany.

Verlag W. Ehlert, Buchhandlung, Storkow

Wilhelm Ehlert’s, bookstore and bookbindery, Storkow, published local topographical cards.

Storkow is situated in the western part of Oder-Spree district, about 15 km (9.3 miles) southwest of Fürstenwalde. The reference to the Mark distinguishes it from a hamlet in Mecklenburg-Western Pomerania.

Theodor Eismann,

Leipzig, Germany

T.E.L. monogram: TH inside an E in the form of a circle
TH E. L.

Theodor Eismann, Leipzig, Saxony. A fine art printing and publishing house that produced tinted halftone postcards, lithography, letterpress and chromolitho printing. Their topographicals stretched as far as Constantinople.

By 1898 the company was at 9 Breitkopfstrasse on the cornerenz Fromannstrasse. It appears to have specialised then on printing coloured illustrations for the huge Leipzig book trade business. By 1903 the business had moved to 28 (later 78) Bayersche Strasse and Eismann had retired. The firm was now run by his son Eduard Theodor Paul Eismann. The Leipzig register of companies for 1909 shows that Theo’s brother Professor Gustav Edmund Ernst Eismann was co-owner. Gustav lived in New York and led the Eismann branch at 124 West 18th Street^⁴.

Costas Eleftheroudakis, Athens

C. ELEFTHEROUDAKIS. ATHÉNES.

Costas Eleftheroudakis (1877 to 1962) bookseller, Athens. Eleftheroudakis started the business that became the largest bookstore in Greece in 1898.

The first recorded ski run in Greek history occurred in 1906, when Eleftheroudakis, woke to see Athens cloaked in fresh snow. On a whim he strapped on the skis he’d brought back from his time at university abroad and glided two kilometers through town and on the hill of Lycabettus. His pair of skis is on display at the mountaineering shelter in Parnitha.

Eleftheroudakis took up publishing and in 1924 began publication of the monumental 24-volume Eleftheroudakis encyclopedia, which could be found in numerous schools and homes. In 1925 he published a highly-regarded edition of Paparrigopoulos’ History of the Greek Nation.

For many years the bookstore was located in Syntagma Square before being transferred to Nikis Street where it was for 30 years. Eleftheroudakis’ work was continued by his son George, his wife Virginia and his daughters Sofikas and Marina. In 1995 a central store was opened at 15 Panepistimiou Street spreading over eight floors. Although primarily a Greek bookstore, the shop had special sections dedicated to titles in English and other foreign languages. After seven years of Greek economic crisis, it closed on 30 September 2016 just as Athens was named by UNESCO as the World Book Capital for 2018. It was being run by the founder’s great-grandchildren when it closed.

Axel Eliasson, Stockholm

Axel Eliassons Konstforlag Stockholm
A.E.

Axel Eliassons Konstforlag, Stockholm, Sweden’s leading manufacturer of postcards into the mid-twentieth century. Eliasson got the idea for postcard publishing during his studies in Berlin and started his art publishing house in Stockholm in 1890. Initially Eliasson himself was behind the camera and, unlike much of the competion, was able to capitalise on Swedish manufacture. His topographicals started out locally with Stockholm and Gothenburg and spread throughout Scandinavia. His official postcards of the 1897 Stockholm exhibition were a great success^⁵. Another interesting ethnographical here.

N.G. Elwert’s University Bookshop

Marburg, Hesse, Germany

N.G. Elwert’sche Universitats-Buchhdlg.

Noa Gottfried Elwert (9 September 1807 to 6 November 1873). Born in Reutlingen, Elwert trained as a printer and came to the Kriegerische Buchhandlung a book-printing and antiquarian bookstore in 7 Reitgasse Marburg in 1828, which he acquired on 1 January 1831. Elwert ran the business under his own name and soon expanded the publishing side.
After Elwert’s death, his nephew, Wilhelm Braun (born 29 May 1842 in Reutlingen) came into the possession of the bookstore. The publishing house passed to Braun’s brother-in-law, Carl Theile (born 1841 in Böhlen near Leipzig). A few years after Theile’s death on 22 July 1878, Braun bought the publishing house reuniting the former Elwert business except the printing which was sold to Robert Friedrich in 1875 on to K. Gleiser.

The business has been in the same building at Reitgassse since it was founded but doubled its size by purchasing the neighbouring building. By 1883 a music department was run as a branch in the north of the city under the W. Braun company.

Marburg was awarded town privileges in 1222, The University of Marburg was founded in 1527 and dominates the public life in the town to this day. The Marburg University Bookshop published scientific and other academic textbooks such as Basics of zoology by Carl Claus (1872), The Historical Development of German Metrics (1897), E. Maass’s Analecta sacra et profana (1901). It also published a number of scientfiic periodicals. The Bookshop has published histories of itself over the years up to 2001.

Noa Elwert’s biggest seller was Pandects by Adolf von Vangerow which ran to seven editions. The Pandects are a compendium of the Roman civil law in 50 books made by order of Justinian in the 6th century. Karl Adolph von Vangerow, (1808 to 1870) was professor of law at the Universities of Marburg and Heidelberg and an expert in the field of the Pandects which form the foundation of the modern German civil code. He was also a secret councillor. In the territories of the Holy Roman Empire and the later German monarchies, the Secret Council was a college of councils directly subordinate to the prince and mostly under his chairmanship over the most important State affairs, in particular regarding the issuing of ordinances.

Wilhelm Braun-Elwert (3 September 1915 to 3 April 2006) ran the business from 1941, the fourth generation of the Elwert family to run the university bookstore. His son Rudolf took over the role.

Ely, Boynton & Ely, Detroit

E.B. & E
E B E Co
Design Copyrighted by E.B. & E
Copyrighted 1904. Ely Boynton and Ely Detroit.

The firm of Ely, Boynton, and Ely were in operation from 1903 to 1908 and produced many original cartoon cards some of them featuring Jewish stereotypes^⁶. The Detroit Free Press of Sunday, November 26, 1905 advertised a post-office in the show at the booth of Ely, Boynton & Ely, makers. On 16 December 1905 the same journal reported that Edward A. Ely of the advertising firm Ely, Boynton & Ely, was critically ill.

Frank L. Emanuel

F. L. Emanuel

The reminder about Lady B’s Ball is certainly a taste of a past life for most.

London-born Frank Lewis Emanuel (15 September 1865 to 7 May 1948) studied at the Slade School of Fine Art and at the Académie Julian in Paris. Emanuel was a painter, etcher, illustrator and writer. He was an opponent of modern art, publishing art criticism and topographical drawings in the Architectural Review and the Manchester Guardian. Emanuel wrote The Illustrators of Montmartre (1903) and Etching and Etchings (1930). He exhibited at the Paris Salon; the Royal Academy from 1886; New English Art Club and in Japan, Australia, America, Germany, Holland and elsewhere.

Emanuel convened a group called the Limners at his studio, artists and art-teachers whom he took under his wing and encouraged. The membership included young Isaac Rosenberg, WWI poet who died on the Western Front in 1918 as the age of 27.

Many of his paintings were reproduced as picture postcards by Raphael Tuck. Emanuel’s coastal scenes featured in Tuck’s “Art” Postcard series 698 and 1173 some of which he signed Frank Emanuel. In the divided-back era, he signed Oilettes Frank L. Emanuel.

The Emporium, San Francisco

Pub. by the Emporium, S.F.

The Emporium, was a mid-line department store chain headquartered in San Francisco, which operated for 100 years, from 1896 to 1996. The flagship location on San Francisco’s Market Street was a destination shopping location for decades, and several branch stores operated in the various suburbs of the Bay Area.

The Emporium traced its roots back to 1872, its building to 1896 and its prosperity to 1897, when a manager named Henry Derman was brought in. His motto was Organize, capitalize, harmonize, systemize, economize, advertize!” and he made the store a big hit. The Emporium was the first West Coast department store to send buyers to New York, and they did so well at the Christmas season that the number of shoppers had to be restricted for fear the floors would collapse. At the turn of the century, the Emporium had its own orchestra, which played its own Emporium March under the glass dome. It was the biggest and the best.

It was a middle- and working-class store, on the wrong side of Market Street, a classic dividing line. One old lady was shocked when her daughter-in-law took her boys to see the Emporium Santa. “What kind of Santa,” she demanded, “would be found South of Market?” ,

The building weathered the 1906 quake, but not the subsequent fire; the heating plant blew up. The store was gutted, but was rebuilt, with the same facade on the same site, bigger and better than ever, with a new dome. In 1936, the Emporium was the first big San Francisco store to have escalators It was run with military precision; the doors opened to the sound of a recorded bugle call. The Emporium had an ice rink, gave golf lessons, even sold groceries.

The store’s popular saying: The Big E with the big selection included a discount basement called Market on Market. In the 1980s, the basement also had a Post Office, a shoe repair, and a full service deli. The Emporium and its sister department store chains were acquired by Federated Department Stores in 1995, and many converted to Macy’s locations though the main store was closed the next year.

Sources: wikipedia; The Department Store Museum; When S.F. gave Emporium, and its Santa, a final Christmas farewell

This card: Stow Lake is on the easternmost side of Golden Gate Park. Frederick Law Olmsted laid the groundwork for the creation of the park in what was the Outside Lands in the western end of San Francisco. The park was built from east to west, with Strawberry Hill and Stow Lake, in 1893, being among some of the first constructions.

Carl Engelberger

Stans, Switzerland

Postkartenverlag Carl Engelberger, Stans

Carl Engelberger, (28 December 1852 to 11 August 1917), postcard publisher, Stans, a Swiss commune and the capital of the canton of Nidwalden.

Engelberger founded a print shop in Stans in 1896. He wrote, published and printed books and was a poet with the pseudonym “Erni am See”. His 1898 book A hundred years ago. Stories from Unterwalden contains four stories from the history of Switzerland during the French Revolution.

Engelberger published a series of photocards of country people of the Unterwald a Swiss region, made up of the two (half) cantons of Obwalden and Nidwalden. He printed the Nidwalden Annual Accounting Reports for 1900, 01 and 02. In 1902 he published a Guide to Stans and District.

widow Engel-Lievens, Spa, Belgium

Veuve Engel-Lievens
Vve Engel-Lievens

A. Engel-Lievens, printer, Spa, Belgium. In 1895 Engel-Lievens published Spa, les eaux et les bains. Lettres medicales by A. Poskin and E. Guilleaume. She produced viewcards of Belgium for Désiré van Dantzig (qv).

A Enz, Luzern, Switzerland

Verlag^⁸ A Enz, Luzern GENOSSENSCHAFTS-BUCHDRUCKEREI LUZERN^⁹

I read this card as indicating that it was published by A Enz, publisher, Luzern and printed by Co-operative Book Printing, also Luzern (qv).

Heinrich Ephron, Vienna

E S W H EPHRON, WIEN

Jefim Heinrich Ephron (1862 to 27 December 1937), Austrian writer, photographer and antiquarian. Academic painter and photographer. He wrote in twelve languages and, as a lyrical poet published a book My Harvest.

A CDV from 1900 shows him working from 13 Mariahilferstrasse and 59 Märzstraße. He offered costume and interior photography and boasted medals and awards for his artistic photography. Emil Storch published his photographs as postcards.

In March 1901 Ephron’s photographic portraits of Felix Dörmann (1870 to 1928), Austrian writer, librettist and film producer and Elsa Ginsberg (22 August 1877 to 1 May 1932), Austrian writer were published in the Österreichs Illustrierte Zeitung. In 1905 Photographische Korrespondenz journal printed an open letter from Ephron and other photographers protesting against the inclusion of photography in the craft trades in a cooperative proposed in Vienna.

By the late 1920s he was in business with his son. Ephron created Almondo as a new world language to compete with Esperanto.

Source: ideopedia

Ephtimios Freres, Port-Said

Ephtimios Freres, Port-Said
Ephtimios Freres, Port Said

Ephtimios Freres worked as photographers, booksellers and publishers of postcards in the 1900s^¹⁰. In 1904 Grand Oriental Stores Ephtimios & Marcoulides was opposite the Eastern Exchange Hotel. In 1913 both businesses were listed in the Egyptian Gazette. Ephtimios & Marcoulides were in rue Sultan Osman, quai Eugénie et rue du Commerce^¹¹. Ephtimios Brothers were listed under Oriental and Sudanese Products, travel products while the other business were listed under novelties.

Ephtimios and other postcard publishers who operated in Egypt in the first quarter of the twentieth century noticed the charm of Mansoura as a provincial town and started the photographic heritage of Mansoura^¹².

In 1919 Ephtimios Brothers Stores advertised Oriental curiosities^¹³. The Official Gazette of the Government of Palestine published in Jerusalem on 1 October 1924 recorded the formation of a partnership between Damian and Issa Ephtimios both of Port Said Egypt and Steelo Elias Awad of Jerusalem as engineers, contractors and merchants. As the enterprise bore Mr Awad’s name and was he was the only executive partner, it may be inferred that the Ephtimios brothers were investing rather than branching out. R.S. Ephtimios and Marcolidis did less well – they were bankrupt by 1931^¹⁴. There has been a large community of Greeks in Egypt, also known as Egyptiotes, from the Hellenistic period until the aftermath of the Egyptian Revolution of 1952, when most were forced to leave. The Greek community in Port Said was founded in 1870. The Arab-Israeli wars of 1956 and 1967 contributed to the uprooting of the sizeable Greek community in the Suez Canal cities, especially Port Said^¹⁵.

Sallo Epstein & Company,

Durban, South Africa

SE c D [in lozenge]
Sallo Epstein & Co.,Durban

Sallo Epstein & Co.,Durban, South Africa In October 1892, a Dutchman named Mozes Booleman emigrated to South Africa. On the voyage he met Sallo Epstein and, through their mutual interest in philately, they became friends. In 1893 Booleman set up a business dealing in fancy goods and stamps. By 1896 he was selling stamps in Johannesburg from a location called Philately House under the name Booleman & Co. During late 1896 the firm went into liquidation. Booleman returned to the Netherlands and set up a successful stamp auction.

Around 1902, Epstein took over the business at Philately House in Johannesburg. During the Boer War, he expanded the business to a branch in Durban trading as Sallo Epstein & Co^¹⁶. The business became the largest publisher of view-cards and types of South Africa and Transvaal. He produced over two thousand postcards in black & white collotype, some with hand colouring. While many of his cards captured everyday scenes, a small number of cards depicted animals, remembrances of the Boer War, and the funeral of President Paul Kruger in 1904¹⁷. The dismantling of the Dutch Reformed Church was recorded on a Sallo Epstein postcard^¹⁸. Another interesting ethnographic card here.

Henry Ericson

ERICSON. PHOT. KOELLING & KLAPPENBACH, PUBS. CHICAGO

Henry Albert Ericson was the owner of the official photographic company for portraits from Cabinet size (4 by 5 inches) to 8 by 10 inches at the Louisiana Purchase Exposition, St. Louis for the duration of the Fair from 30 April to 1 December 1904. He seems to have taken a numbered series of photographs of the Iroquois Theatre in Chicago in the immediate aftermath of the disastrous fire there on 31 December 1903.

On New Year’s Eve 1903, Chicago’s Iroquois Theater was set ablaze when during a matinee performance of Mr. Bluebeard, largely attended by women and children, the fuse of a spotlight burst, setting fire to the muslin fly border of the stage. For a few minutes, the stagehands fought to put it out—stage electrician John E. Farrell climbed up to the top of the curtain and attempted to douse the fire with his bare hands—but it quickly grew beyond all reckoning. Farrell then hurried down to the stage door, opened it, and began to evacuate everyone backstage. When other workers attempted to slide open the large backstage freight doors, they released a draft that forced the fire into the theater auditorium. Described as a wall of fire and a cyclonic blast by various witnesses, the blaze billowed into the audience, blocking many of the fire exits. Other escape routes were un-labeled, locked, or difficult to operate. Eddie Foy, the headlining comedian at the performance, ran to the front of the stage and began to try to direct people safely out of the theater. But the loft above him caved in and brought the flames to the stage, forcing him to make his own way out. At this point, the lights went out.

In just ten minutes, as many as six hundred people—more than a quarter of the audience—perished. Most of the victims, many of them children or teenagers, had been trampled to death.

Source: Fire! A brief history of theater fires in New York City—and the regulations that helped people escape them. by Olivia Rutigliano https://www.laphamsquarterly.org/roundtable/fire

Further reading; www.iroquoistheater.com Website devoted to Iroquois Theater fire.

Dagmar Eriksén, Norrkoping, Östergötland, Sweden

Forlag^¹⁹ Dagmar Eriksén Norrkoping

Dagmar Eriksén Publishing company, Söderköping & 36 Drottninggatan Norrköping. Eriksen was active as a photographer in Norrköping in 1902-1908 and 1913-1917. On April 4, 1863 Agnes Arosenius opened a photographic studio on Hospital Street and became the first of some twenty female photographers who were active in Norrköping in the years up to the mid-1920s. Most academic programs were closed to women at this time, which meant that many were attracted to being photographers instead. The other women photographers included Constance Wikström and sisters Dagmar Eriksen and Hilda Winge. The sisters originally came from Denmark and had received their education from their father, Peder who did photography at home. As well as studio work Dagmar Eriksen and Hilda Winge photographed industries, station buildings and trains^²⁰.

Victor Ernult-Doncq,

Brussels, Belgium

VED hand-written in bottom corner of monochrome photograph

Victor Ernult-Doncq, printer and publisher, Brussels.

Victor Ernult and Aline Doncq were both born in Chimay a Walloon municipality located in the Belgian province of Hainaut where they married on 15 April 1896 when Victor was 28 years old. After the marriage they moved to 26 Rue des Chartreux in Brussels. Around the turn of the century, as well as printing cards for others, Ernult-Doncq began to produce view cards in his own right. In 1903 he moved to 16-18 Rue Lenglentier from where he advertised as V.E.D.. In an advertisement in 1904 V.E.D. claimed that his illustrated cards were recognised as the most profitable in the world for merchants, boasting that special equipment allowed him to offer unbeatable terms. He supplied photocards of Egypt for the local publisher Comptoir Philathélique d’Egypte. Active until at least 1910.

This Card: shows the 1304 Cloth Hall, extensively pictured in ruins during WWI.

Essanay Film Manufacturing Company

Chicago, Illinois, USA

Essanay Indian Chief head logo COPYRIGHT ESSANAY FILM MFG. CO.

Essanay began in 1907 and a year later became a member of the powerful Motion Picture Patents Company. The name Essanay was formed from the surname initials, S and A, of its two founders: George K. Spoor, who provided the financing and managed the company, and G.M. Anderson, better known as “Broncho Billy” Anderson, cinema’s first cowboy star.

In 1914, after the expiration of his one-year contract with the Keystone Film Company, Charles Chaplin was lured to Essanay for the unprecedented salary of $1,250 per week, with a bonus of $10,000 for merely signing with the company. Shooting in its California and Chicago studios, he went on to make films that established him as the world’s favourite screen comedian. Unlike other screen stars at the time, Chaplin retained complete creative control over his films, from writing to casting and directing. Despite the strain that put on his relationship with Essanay, this fruitful period of his career saw him evolve his style, resulting in seminal works such as The Tramp, The Bank and The Champion.

The fourteen films he made for the company were distinctly marked and designated upon release as the Essanay-Chaplin Brand. Chaplin’s one year with the company was its zenith. The studio foundered after Chaplin left to join the Mutual Film Corporation and finally ceased operations in 1918. Essanay would most likely be largely forgotten were it not for Chaplin’s early association. Jeffrey Vance says:

If the early slapstick of the Keystone comedies represents Chaplin’s cinematic infancy, the films he made for the Essanay Film Manufacturing Company are his adolescence. The Essanays find Chaplin in transition, taking greater time and care with each film, experimenting with new ideas, and adding flesh to the Tramp character that would become his legacy. Chaplin’s Essanay comedies reveal an artist experimenting with his palette and finding his craft.

Source: Essanay – Chaplin Brand Jeffrey Vance

Max Ettlinger & Company

London & New York

M ETTLINGER & CO., LONDON E.C. and NEW YORK
M.E. & Co.

chromolithograph of the work of artist E. Reckziegel

German Max Ettlinger started publishing postcards when he was 18 and, in 1902, moved to England where he became a British citizen on 23 October 1906 when he was living at 137 Maida Vale, London. One of his early successes was obtaining a monopoly of the sale of postcards at the 1903 Earl’s Court Exhibition.

The business published a wide range of subjects, including novelty cards, and comic cards. These included FS cards from The Law, Drink, and Soldiers sets as part of the Royal Series with the Ettlinger logo. Ettlinger’s squeaker cards were a popular early seller. In 1903 cards including real cigarettes were also sold.

Ettlinger marketed discal postcards in March 1905. The Discophone cards had recordings of popular songs and featured portraits of the singers. Retailers were provided with Discophone machines to play and the success was immense. Ettlinger was still selling the cards in May 1908. Such cards could be played on a standard turntable, but needed a clamp to keep them from slipping.

A limited company was formed but may have been neglected; Ettlinger was also in business at 6 East 17th Street, New York and, on 22 March 1909, a bankruptcy petition was filed against him in London in which he was described as a company director late of 19 Long Lane in London. Max Ettlinger & Co Ltd was struck off the Companies Register in May 1911.

Sources: Byatt pages 89 to 91; metropostcard;Taylor & Francis

Excelsior Fine Art Publishing Company, London

E.F.A. SERIES 545 artist’s monogram

Excelsior Fine Art Publishing Company, 8 New Coventry Sreet London, W. According to Byatt, C. G. Pascalis was behind the business two years after he left Pascalis Moss (qv). They published Etchings of London, a hardback book of pictures of Victorian London consisting of 24 plates according to Ch. Legrand’s compositions. Their Coats of Arms and Flags Series was a reprint of the images in a set of Dutch trade cards also used as cigarette cards and appointment cards^²³. EFA are widely said to have been established in 1904 which makes the undivided back cards a puzzle – either they were published earlier than 1904 for the British market or in 1904 for the continental market where undivided backs were not allowed by 1904. The heraldry series may provide a clue – they were made in Netherlands and my undivided back may also have been commissioned rather than edited by the business.

This card: a remarkably avant garde design for 1904 by artist GL or LG.

Excursions Suisses SA

Geneva, Switzerland

EDITEURS: EXCURSIONS SUISSES, Pl. du Port 2, GENEVE.

Swiss Excursions Limited were already in business in 1902. They published the Illustrated album of the Swiss railway network. They litigated in the Federal Court against Robert Ziegenbalg in relation to an advertisement for his college they published in 1905. In 1905 they resigned from Geneva French Chamber of Commerce. The company was wound up in 1915.

Friedrich Eyfried, Düsseldorf

F.E. Above D in a scalloped shield

Friedrich Eyfried of Düsseldorf published topographical cards of Germany and Netherlands and sentimental depictions of children in popular stories. He was also interested in current affairs and published photo-cards of the 1902 Düsseldorf Industrial Exhibition and the Zeppelin over Duisburg.

Eyre and Spottiswoode, London

Eyre and Spottiswoode
the Woodbury Series

Eyre and Spottiswoode was founded by George Edward Eyre and Andrew Spottiswoode in 1845 on Fetter Lane, London. They were the King’s Printers, printing for His Majesty’s Stationery Office. They branched out into Christmas card printing, and by the late 19th century were also printing postcards under the Woodbury Series name.

Printed By George E. Eyre And William Spottiswoode, Printers To The Queen’s Most Excellent Majesty
Official Catalogue of the British Section for the 1878 Paris Universal International Exhibition

In the 1970s the company became part of Methuen Publishing and was then sold to Cambridge University Press in 1987^²⁴. Many undivided cards were B&W reproductions of art owned by Liverpool Corporation.

This card: Sir Hubert von Herkomer CVO RA (born as Hubert Herkomer; 26 May 1849 to 31 March 1914) was a Bavarian-born British painter, pioneering film-director, and composer. Though a very successful portrait artist, especially of men, he is mainly remembered for his earlier works that took a realistic approach to the conditions of life of the poor. On her deathbed, Queen Victoria was initially photographed in study and eventually painted by Herkomer as an alternative to the more traditional mask produced in wax, which her son, the new king Edward VII, decried. Despite being a prominent member of Royal Academy of Arts, Royal Watercolour Society, and Royal Society of Painter-Etchers, as well as being on familiar terms with the royal family, Herkomer was never totally accepted by the British establishment, as he was ultimately a victim of the deteriorating relationship of Great Britain and Germany, which he shuttled in between, spending most of his summers in Bavaria. Source: wikipedia

Eyries Frères,

Nemours, Seine-et-Marne,

Île-de-France, France

Eyries Frères

Eyries Brothers were publishers in Nemours who published some of Paul Lafaye’s (qv) photographs in postcards. The archives of the American Philosophical Society contains correspondence from the 1820s with Eyries freres & cie. Le Havre to that society^²⁵.

1Royal Court Art Institute

2 Handelspolitische Vereinigung des Kunstdruckgewerbes

3 http://www.schutzbauten-stuttgart.de/de-de/bauwerke/luftschutzkeller/brauereikelleraugustenstr.aspx

4 http://www.tpa-project.info/html/body_th__eismann.html

5 https://sv.wikipedia.org/wiki/Axel_Eliassons_Konstf%C3%B6rlag

6 https://archive.org/stream/catalogofcopyri11libr/catalogofcopyri11libr_djvu.txt

8Publishing house

9 Publisher A Enz, Lucerne CO-OPERATIVE BOOK PRINTING LUZERN

10 file:///C:/Users/MB/Downloads/OBJ%20Datastream.pdf

11 http://www.cealex.org/sitecealex/diffusion/etud_anc_alex/LVR_000084_IV_w.pdf

12 http://english.ahram.org.eg/NewsContent/32/138/90025/Search.aspx?Text=%20Mansoura

13 http://collection.hht.net.au/firsthhtpictures/fullRecordPicture.jsp?recnoListAttr=recnoList&recno=52234